Jump to content

What Are You Listening To?


khaos

Recommended Posts

5 hours ago, RexKeltoi said:

I bought that Sortilege album on import in '84. I liked the way the bass was audible in Burn ( never heard of them surprisingly). When I heard the intro on Heavy Load it was reminiscent of Swords and Tequila. Necronomicon reminded me a bit of Gates of Purgatory early Running Wild a bit too. 

You know how it was back then, we all just kinda discovered whichever various albums we discovered. There wasn't any master plan, it was largely just random shit that caught our attention at the record store. Put a motorcycle or a skull on the cover, I'm buying it. We'd make monthly pilgrimages to the metal specialty store or whenever we had managed to save up at least a hundred bucks to blow on records. At some point in the mid 80's I basically stopped checking the domestic section altogether and would just head straight to the imports. Even in NY it seemed like almost everything good would be in the imports section. Even US bands on European labels were imports. Unless one of the US heavyweights like the big 4 or somebody dropped a new album and that'd be on the new release end cap display anyway. And we always had to save a few bucks to peruse the leather and spikes section in the back. Couldn't turn up at a metal show without the requisite bullet belt and spiked wristbands.

 

Warhead - Speedway, Belgium 1984, somewhere between speed and thrash. 

 

Battleaxe - Burn This Town, NWOBHM from Newcastle 1983

 

Acid - Acid, female fronted heavy metal Belgium 1983

 

Oz- Fire in the Brain, Finland 1983

 

6 hours ago, Thatguy said:

Kinda, but kinda not.

And some one person projects are really good like this one, but so many are not. There is no time to listen to everything.

I beg to differ. I find a good number of quite enjoyable solo black metal projects. More good than bad. I'm aware that lo-fi black metal filth's not your thing at all, but for the connoisseur I can assure you it's a wonderful time to be a black metal freak.

Link to comment
Share on other sites

43 minutes ago, RelentlessOblivion said:

Nice, they were pretty late to the first wave of black metal scene but that’s one solid EPthey were pretty late to the first wave of black metal scene but that’s one solid EP..

Yeah it's a really solid release for me for the band that became my absolute favorite "Tiamat" 😆 Also make sure you check out their compilation album "Shrine Of The Pentagram" where they remastered most of the demo tracks. Although i can understand some may prefer the roughness of the original releases 😅

Eternal Sorrow - Way Of Regret

 

Link to comment
Share on other sites

NP: Ancients - Beyond the Reach of the Sun

▶︎ Beyond the Reach of the Sun | ANCIIENTS (bandcamp.com)

a1307412691_10.jpg

Look guys, I like Opeth too, but this is some Jim Jones Koolaid as an aperitif  level of worship.

On 9/23/2024 at 4:22 AM, RelentlessOblivion said:

Now that’s the name I don’t see very often, one of my favourite doom/death metal bands.

I'll say. I'm constantly getting them mixed up with Thergothon when I see that cover image.

Link to comment
Share on other sites

Białywilk - Próżnia, Chicago 2021. Didn't recognize the Polish name, but I remember this album cover. Doc's right, this is pretty good atmo-black. Even if it is from Chicago and not Poland. 

 

Archaist - Cosmogonic Eyes, Austria 2018. Hey look, a black metal album that doesn't sound like all the other ones.

 

Link to comment
Share on other sites

Slayer's first show after 5 years, here in Chicago on 22 September.

Here's the setlist:

    South Of Heaven
    Reborn
    Blood Red
    Postmortem
    Repentless
    Payback
    Temptation
    Jihad
    Seasons In The Abyss
    Born Of Fire
    War Ensemble
    Hate Worldwide
    Disciple
    Dead Skin Mask
    Hell Awaits
    213
    Mandatory Suicide
    Raining Blood
    Black Magic
    Angel Of Death

For me, the magic is gone. And this room, plunged into half-light, with its multitude of luminous screens spoiling the atmosphere...

An event like this, for the fan, should be experienced with the eyes, not through some ridiculous screen.

 

Link to comment
Share on other sites

15 hours ago, Yannis said:

Elegy - Labyrinth Of Dreams

 

There's something very specific about the way this guy sings the high notes through a kind of nasally vibrato that reminds me of another vocalist. My first thought was James LaBrie, but as frustrating as he can be to listen to during a few of those years in Dream Theater when he was fairly obviously having vocal troubles from possible cord damage (I've heard he's actually been taking exceptional care of his voice now), It doesn't quite fit. I thought maybe the guy from Angra, but that's not it either. It's making me nuts trying to figure it out.

Link to comment
Share on other sites

17 hours ago, Arioch said:

Slayer's first show after 5 years, here in Chicago on 22 September.

Here's the setlist:

    South Of Heaven
    Reborn
    Blood Red
    Postmortem
    Repentless
    Payback
    Temptation
    Jihad
    Seasons In The Abyss
    Born Of Fire
    War Ensemble
    Hate Worldwide
    Disciple
    Dead Skin Mask
    Hell Awaits
    213
    Mandatory Suicide
    Raining Blood
    Black Magic
    Angel Of Death

For me, the magic is gone. And this room, plunged into half-light, with its multitude of luminous screens spoiling the atmosphere...

An event like this, for the fan, should be experienced with the eyes, not through some ridiculous screen.

 

SOH is my ringtone 

18 hours ago, AlSymerz said:

Alkoholizer - Free Beer Surf's Up

Reminds me a bit of MOD 

Link to comment
Share on other sites

NP: Gulguhk - Pille, Vendu et Trahi

▶︎ Gulguhk - Pille, Vendu et Trahi | His Wounds (bandcamp.com)

a4063895160_10.jpg

Great example of how the first track isn't always indicative of the whole album. The first track had me about half asleep (of course the hunt so far today had been pretty lackluster, and the two new albums I'd checked out before this were part of the Nyquil-as-sound dungeon synth variety that I have little patience for). I woke up for the second track though since that thing comes tearing through the gates while maintaining that sort of smothered sound space effect that some black metal bands are so good at achieving. Track three seems to be following suit so far. There's a really tasty mix of martial rhythms and huge resonant barre-like chord progressions that fill the whole thing out, along with a great use of distinct single-string melodies that pull away from the top end very discernably. I think I really like this one. There's some synth use but it's limited and more of an accent to the music than what drives it forward.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...