Jump to content

Depressive/Suicidal Black Metal


LiakosVikernes666

Recommended Posts

Re: Depressive/Suicidal Black Metal Well, I usually like to reply to these kinds of requests with video links, but after working on it for an hour or so, I accidentally closed the fucking tab and lost it. If I get time I'll attempt it again, but the bands I was going to mention were Abyssic Hate, Bethlehem, Dolorian, Forgotten Tomb, Nortt, Shining, Unholy, Manes, Weakling, and Skitliv.

Link to comment
Share on other sites

Re: Depressive/Suicidal Black Metal Abyssic Hate - Betrayed: X4iW4IMcia4 Abyssic Hate basically took the more depressive side of Burzum's sound and ran with it. This is a very drawn out and painful sounding album, with lots of repetitive guitar passages and simple structures to build a large and melancholic atmosphere. Bethlehem - Schatten Aus Der Alexander Welt: ncO9lXdsD_Y Bethlehem were one of the very first suicidal black metal bands, and also featured some of the most maniacal sounding metal vocalists in history. Their first album was fronted by Andreas Classen's straightforward, but very evil sounding black/death delivery, the last of their metal works were vocalized by Marco Kehren's catatonic and depraved delivery, and this album, Dictius Te Necare, was fronted by Rainer Landfermann, giving one of the most insane metal vocal performances ever. The music is dark and oppressive by itself, but the vocals definitely take it to another level here. Dolorian - My Weary Eyes: eLyd1GBtFvI Dolorian are more of a black/doom hybrid than a DSBM band, but many characteristics of this band are similar to DSBM bands. The way that they contrast their clean and heavy passages, the creepy keyboards and riffs, and the weight it seems to put on you, but there's more of a haunting and creepy vibe and not such a feeling of self-destruction. Forgotten Tomb - Daylight Obsession: GGTpOCrXujQ Forgotten Tomb are an Italian DSBM band that display many of the same hallmarks as many other bands in the genre, but combine them together in an extremely effective way. The songwriting and elements are all very well done, and the performance is great. They're not the most original band playing the style, but they do it well enough that it doesn't matter. Manes - Maanes Natt: jVgYXQtfH-g Manes were one of the few Norwegian bands that opted for a more depressive sound than the typical raw and aggressive sound that the country is best known for. Of particular importance here are the keyboards, as though the riffs are chilling and melancholic, the keyboards do a great deal to help deliver the message of the guitars and vocals. Nice eerie and atmospheric DSBM. Nortt - Ligpraedike: wk3_DcoFd64 Nortt are actually more of a black/funeral doom metal band, but they are frequently compared to Xasthur, whom you mentioned above. Their atmosphere is similarly hazy, drawn out, and dreary, but they're obviously a great deal slower and use lower vocals. It's some pretty bleak sounding stuff though, hopefully you'll enjoy it. Shining - Reflecting in Solitude: ZpE7HE3tVno Shining were one of the first modern DSBM bands to emerge out of the influences of the pioneers of the style from the early/mid 90's. Sadly, much of their notoriety stems from the fact that the main member of the band, Kvarforth, is a massive tool. It's unfortunate that many people write off his music because the guy is a douchebag, but much like Varg Vikernes before him, I can easily overlook personality defects in favor of awesome music. Their newer albums are much more progressive, but still very suicidal sounding, and this debut album is much more straightforward. Great riffs, atmosphere, and vocals. Skitliv - Hollow Devotion: ip1xSiJWQ9k Skitliv is a side project of Kvarforth of the aforementioned Shining, and Maniac, best known for his work with Mayhem. This is a DSBM/doom metal hybrid with a pretty tortured sound. The riff work and songwriting is pretty basic, but the beauty is in the subtlety, and the great tormented vocals of Maniac. Unholy - Procession of Black Doom: DuPpeGQJdKY Unholy were a pretty depraved sounding black/doom metal band from Finland, with an evil, drugged out, and otherworldly feel to their songs. Not DSBM, but definitely influential to the genre, with the dissonant chords, eerie keyboards, and horrifying vocals. Weakling - Cut Their Grain and Place Fire Therein: L2A1Ohp4DbE Weakling were one of the earlier US bands to play DSBM, and are still one of the best IMO. This album has a great atmosphere, memorable riffs and melodies, and an engrossing melancholic sound. This band gets a lot of crap for being influential to many hipster black metal bands and have been accused of being hipsters themselves, but I still dig the music regardless of the hate.

Link to comment
Share on other sites

  • 3 weeks later...
  • 3 weeks later...

Re: Depressive/Suicidal Black Metal just checing this stuff out and (I know this is going to sound really strange for someone who has developed an extreme fixation on funeral doom but) this is just too depressing for me, not in the good way I get with doom where it adds to the experience of the music but in the I had to stop each of these videos well before the finish because I had serious thoughts of self harm way which I have never before experienced whilst listening to metal and honestly it scared the shit out of me so Blut please none of this stuff when next you update my black metal suggestions thread thanks

Link to comment
Share on other sites

  • 2 months later...
  • 1 year later...
  • 2 weeks later...
  • 2 weeks later...

Lantlos is a band I've recently gotten into. Blasts aren't a real integral part of what they do but they are there Edit: so upon more perusing of the thread I've got the idea that depressive black metal is something a little different than just being...depressing. go figure. In which case I'd have to second Leviathan, tenth sub level of suicide is a disgusting portrait of a tortured soul.

Link to comment
Share on other sites

Lantlos is a band I've recently gotten into. Blasts aren't a real integral part of what they do but they are there Edit: so upon more perusing of the thread I've got the idea that depressive black metal is something a little different than just being...depressing. go figure. In which case I'd have to second Leviathan, tenth sub level of suicide is a disgusting portrait of a tortured soul.
It's not just a lyrical theme, different chords and techniques are used to construct a different atmosphere from standard black metal, much like what sets pagan black metal apart from standard black metal. It started with bands like Bethlehem, Strid, Forgotten Woods, Mutiilation, etc..., but the sound has certainly come a long way from there. I'm not as found of the most recent wave of bands in style, but I do enjoy a few artists past the originators.
Link to comment
Share on other sites

This stuff still has a profoundly negative effect on me. For whatever reason bands like Shining just send me back to the darkest days of my bouts with depression. I don't need that in my life ever again and doubt I will ever be at a stage in my life where this music no longer has that effect.

Link to comment
Share on other sites

Guest
This topic is now closed to further replies.
  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...