Jump to content

What Are You Listening To?


khaos

Recommended Posts

5 hours ago, Thatguy said:

Now you've let the others into the meaning they won't have to open the dictionary and that's a shame.

What I mean is that the sound - the production - is limpid, that is clear, transparent, not obscured by muck. This was not a comment on the musical content which I know you don't much care for and I'm not laboring that point. But I love the sound environment as well as the music. Especially with headphones. There is such clarity that I can hear when the drummer hits his sticks together - is this an error or a sound he wanted? Only he knows I guess.

Muck has its place and earlier ULCERATE albums certainly were not as clean sounding.   

No one opens dictionaries anymore Doc old boy, it's a 3 second search on our phones. I can inform you though that you have the distinction of being the MF poster who has caused me to perform the most 3 second Google searches for words I was previously unfamiliar with. And I appreciate that, because I enjoy words. Even if a lot of yours turn out to be arcane words from back in your day that have long since fallen out of common usage.

I see now, you're one of those "sound environment" dudes. Yeah, that shit's all lost on the likes of me mate. I was really just talking about the music and the songwriting. I don't care about the sound of the drummer clicking his sticks together, I barely even care about his actual drumming. Details like drumming and production only stand out to me when there's a serious problem that's risen to the level where it's actively hindering my appreciation and enjoyment of the music. If everything seems to be basically as it should be I pay that trivial kind of shit no mind. Obviously I do love the muck, and I deffo believe that it's possible for a given record to be too clean/sterile. But that really doesn't happen very often with the kinds of things I'm generally clicking on. I'm never gonna be that guy who'll stop in the middle of a record and think "Wow this limpid production is really on point!" Nor have I ever put something in my top 10 or given it any extra points primarily because it was so well produced. Because I fully expect things to be competently produced here in the new millennium. Only when something's lo-fi to the point of near total obfuscation or there's a layer of static over the whole thing or maybe I've discovered a snare sound from hell that I just can't unhear, only then will I focus on or complain about production or declare something unlistenable. My caprine sensibilities and the filthy kinds of music I'm typically drawn to have conditioned me to be able to overlook a lot of fairly minor issues with album production that might prove to be fatal errors for more sensitive, refined and fastidious listeners such as yourself and maybe Mr. Milky Beans or Marky McMarkerson.

 

Meuchelmord - Schwarzmetall aus Niedersachsen, Germany 2020

 

Link to comment
Share on other sites

28 minutes ago, GoatmasterGeneral said:

I see now, you're one of those "sound environment" dudes.

Well, of course I am.

And I'm not trying to convert you, just putting what I think out there. That said, there is a new mix of FALLUJAH - The Flesh Prevails coming out soon. It's said to be the clean, 'anti-loudness wars' version. I listened to the one track released so far, everyone's favourite, Sapphire, and compared it to the original. I can't hear all that much difference but I prefer the original.

I know no one opens dictionaries any more. I don't open dictionaries any more. 😏

NP - FRACTAL GENERATOR - Convergence. And it'll be the ULCERATE later.

Link to comment
Share on other sites

30 minutes ago, Thatguy said:

There is a new mix of FALLUJAH - The Flesh Prevails coming out soon. It's said to be the clean, 'anti-loudness wars' version. I listened to the one track released so far, everyone's favorite, Sapphire, and compared it to the original. I can't hear all that much difference but I prefer the original.

it'll be the ULCERATE later.

Even your limpid Kiwi horde Ulcerate is exponentially better than Fallujah, innit? And I'm sure that holds true for whichever mix tickles your fancy.

 

Wrach - Quae Infra Volo Videre, Wales

 

Link to comment
Share on other sites

Great harmonies, fantastic raw overdriven guitar ton, jamming it out. One of my favourite early 70's classics 

1 hour ago, AlSymerz said:

I like that album. It's a pity Kurdt seems more interested in his other bands than he does in MC

NP: Slo Burn - Amusing The Amazing

Thats a band I haven't heard in awhile 

Link to comment
Share on other sites

8 minutes ago, Arioch said:

I'm continuing the little game I started on Monday by listening to one album a year, from the end of the 60s to... we'll see!

I do silly shit like that. Listen to full discographies, or listen to albums from a particular year, or start with the same letter etc.

NP Helloween - My God Given Right

Link to comment
Share on other sites

22 minutes ago, AlSymerz said:

I do silly shit like that. Listen to full discographies, or listen to albums from a particular year, or start with the same letter etc.

The idea came to me over the weekend, when a friend was playing me some AI-generated music.

I felt a deep sense of unease listening to this kind of thing, and wondered what the future would bring to us with this technology. Will there be bands tomorrow composing their music, just by asking an AI? Perhaps this is already the case?

Thinking about this disgusted me, and I immediately had a reflex: listen to old hard rock from the late 60s/early 70s. At least it sounded natural, sincere and REAL. And since then, I've been slowly working my way back through the years, listening to one album a year as the mood takes me.

Sabbat - Dreamweaver (1989)

 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...