Jump to content

WOLF HUNDRED (VOLCHYA SOTNYA) - RUSSIAN MELODIC METALL


Alex_85

Recommended Posts

Hi Metalheads!

I would Like to introduce you to one of the best groups in Russia playing in the style of "melodic metal".

The group received the best reviews in leading metal magazines.

To listen to the album in ITUNES :

https://itunes.apple.com/ru/album/pecal-angela/id1102179396?l=en

in GOOGLEPLAY MARKET:

https://play.google.com/store/music/album/Волчья_Сотня_Печаль_Ангела?id=Bwcycraurinckpoy7ez3svjlbp4

Social network:

https://vk.com/volchyasotnya

https://www.facebook.com/volchyasotnya

 

MORE HATE PRODUCTIONS:

The debut album by the melodic heavy metal band VOLCHYA SOTNYA (Russia). The album will please the fans of both the classics of the genre and the modern rendition of the style. Each song has its own catchy melody, symphonic arrangements and the inserts of acid keys, while the lyrics in Russian will delight listeners with the basic concept of the album: people are the fragile chess pieces on the board, they crumble under the strokes of misfortune, pass into nothingness, lamented only by the White Angel watching from the sidelines. Song “Ragnarok” will sweepingly draw you into the atmosphere of symbolism of the end of days and the beginning of times. With “The Choice is Yours” you will stand one versus all. Life-affirming “Go to Your Dream!” will encourage optimism and self-confidence. “Burn to a Frazzle” will help to understand who is your friend and who is your enemy. Tragic “Heroes After War” will wake your sole and make remember those who returned from the battlefield and those who didn’t. If you want to put the pedal down regardless of cameras and light bars behind, play “No Rules”. Watching the stars – tears of the Lords – in the cloudless night sky, pray to your God with the song “Angel’s Grief”. With “The Daughter of the Sun” you will feel oriental caress without hope of a dawn. Walk your path through the “Labyrinth” of life, waiting for letters from the past, filling your heart with “Tenderness”, and feel the heat of the fires of the Holy “Inquisition”. And, finally, with the thunder of cannons from the sinking ship, in the name of Honor and Love, salute the “Admiral” for the last time.

0b770fb9b13d.jpg

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...