Jump to content

AGNOSTIC FRONT - final webisode/album-stream!


Recommended Posts

New York hardcore pioneers AGNOSTIC FRONT have posted the final webisode for their forthcoming album, »The American Dream Died«. Check out the episode entitled „The American Dream Died“ at https://www.youtube.com/watch?v=X5hCHJ7fzqoCurrently the entire record is available for streaming until this Sunday - surf to: http://bit.ly/AgnosticFrontStreamAlso don't miss the music video for the brand new song 'Police Violence' http://smarturl.it/PoliceViolence as well as its official making of . Check it out at http://youtu.be/3XuNWA5ndXw»The American Dream Died« Webisodes:Episode 1 "Hardcore Roots": http://youtu.be/KEq2Tdteh8YEpisode 2 "Stigma Being Stigma": http://youtu.be/87JP9ft9VosEpisode 3" Sunday Matinee Sessions": http://youtu.be/8FpVOq6JutcEpisode 4 "A Wise Man": http://youtu.be/8GF0Jr4AaosEpisode "Old New York": http://youtu.be/0Q-3vyNR_zg»The American Dream Died« was produced by MADBALL singer Freddy Cricien and engineered, mixed and mastered by Paul Miner (H2O, TERROR) and will be released April 4, 2015 via Nuclear Blast Records. The record will feature guest vocal appearances by Cricien, Toby Morse (H2O), Lou Koller (SICK OF IT ALL) and legendary AGNOSTIC FRONT/MADBALL guitarist Matt Henderson solely laying his guitar magic on the song 'A Wise Man'.»The American Dream Died« will be available as digital download, on vinyl as well as on CD. A limited bundle with an exclusive T-Shirt will be available, too:______________________________________________Furthermore the band has announced to include a special bonus in the vinyl edition of the album. Every copy will als contain a download code for the album »Time's Up You're Dead« by THE ALLIGATORS, a rowdy punk project featuring AGNOSTIC FRONT singer Roger Miret and members of legendary Anaheim, CA hardcore band INSTED.AGNOSTIC FRONT have recently released a full track by track commentary for every song on the band's upcoming album, »The American Dream Died«. Find the piece written by the band's iconic frontman, Roger Miret, below. The American Dream Died: It’s a harsh look at what’s going on today in our society. The intro that precedes this song says it all! It’s a reaction to everything happening around us right now. The higher ups are out of control! Police Violence: This is our reaction to what’s going on in our country regarding the unprovoked brutality of our citizens by those who we pay to "protect and serve" us. If they are going to act like criminals, then they should be prosecuted as one! They have some kind of elite fraternity-like understanding that they protect each other with. Don't abuse your badge!Only In America: It's sad to learn that the people who serve in our military and risk their lives fighting in wars come home to the government not giving a shit about them, especially if those veterans were wounded mentally or physically. They gotta go through a lot of bullshit just to try and get a little help and support. You've gotta be blind if you don't see that, only in America. This is why I strongly believe the US Government should stop policing the world, and start caring for the issues right here in the USA!Test Of Time: Learning from the past is important, to help you move forward and not make the mistakes we did in our youth. Longevity is the key to success. We won't get left behind.We Walk The Line: It’s a statement of who we are and how we live in relation to the hardcore community.Never Walk Alone: We always spoke about unity and how sticking together will help us grow as scene. Hardcore is worldwide now. This is our scene, our passion and it was great to present this song with honorable NYHC veteran's Freddy Cricien (MADBALL), Toby Morse (H2O) and Lou Koller (SICK OF IT ALL) joining on the anthemy chorus!!! Punk rock/Hardcore is a movement it's not an image!Enough Is Enough: Protest song! I once read an inspiring quote that went like this "I hold it, that a little rebellion, now and then, is a good thing, and as necessary in the political world as storms in the physical" - Thomas Jefferson. I Can't Relate: Dealing with different people you don’t like in different situations. Could be applied to a boss, ex girlfriend, someone who lives a completely opposite lifestyle, etc.Old New York: New York City has lost its edge. It's been stripped of its culture and over run by money. Making it hard for musicians and artist to live there. Now we're surrounded by transplants and rich hipsters. Let's face it, it's not the NYC I once adored. That one is so well documented in one of my favorite movies Taxi Driver! Hence the intro, I Miss The Old New York.Social Justice: Nothing is more disgusting than hearing about a grown man rapping a child. This song talks about a man who got caught in the act and was served street justice stabbed with knives from his head to his toes. Justice served!Reasonable Doubt: Our whole lives we’ve been criminalized for one reason or another. But it’s actually the media, the corporations and the government who are the scumbags. Power to the people standing up against them. Wake the fuck up people!No War Fuck You: Self explanatory, stop creating wars so you can justify your unlimited defense budget and make all your friends rich. Innocent people are dying for your stupid games.Attack!: On some occasions people tend to disrespect and take our kindness for weakness. We have always been known for never taken shit from anyone. Cross the line and we will attack!A Wise Man: Growing up in NYC living in and out of Vinnie’s apartment. Our old friend John always looked out for us like a father figure. He tried to guide us in the right direction and give us good advice. He was a wise man, a friend forever. Just Like Yesterday: This song takes us on the journey through our history as a band, from touring all over the world and making friends that still remain loyal today. One of my favorite lines is "From NYC to the Berlin beat." It shows our love for those two great cities and our great world accomplishments as a hardcore comunity. Read more... then come back and comment below.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...