Jump to content

Video: JOHN CORABI Performs MÖTLEY CRÜE's 1994 Self-Titled Album In Ottawa


Recommended Posts

Fan-filmed video footage of John Corabi, former lead singer of MÖTLEY CRÜE, THE SCREAM and UNION, performing on February 20 at The Bourbon Room in Ottawa, Ontario, Canada can be seen below.Corabi's backing band consisted of Jeremy Asbrock (guitar, vocals), Topher Nolen (bass, vocals), Josh Dutoit (guitar) and John's son, Ian Corabi, on drums.Corabi originally joined CRÜE in 1992 as the replacement for the group's original singer, Vince Neil, who was fired due to personal differences. With Corabi on vocals, MÖTLEY CRÜE released one critically acclaimed full-length CD, which ended up being a commercial failure in the wake of grunge despite a Top-Ten placing on the album chart. When Neil returned to the fold in 1997, Corabi was left on his own and formed the band UNION with ex-KISS guitarist Bruce Kulick."A lot of fans said, 'No way I was buying that record when it came out,'" Corabi told CantonRep.com about the "Mötley Crüe" record. "I think we had kind of a die-hard fan base when it came out, but a lot of the people were angry with MÖTLEY for getting rid of Vince, or Vince leaving or whatever happened. But a lot of fans, once Vince came back, saw it, picked it up and ended up really enjoying it. It's still trudging along and selling and doing its thing. The best thing to me is that it still sounds as relevant now as it did when it came out."According to Corabi, the idea to revisit his time with MÖTLEY CRÜE came from a brainstorm session with his manager."A lot of people assumed I faded off into the sunset," Corabi told CantonRep.com. "So my manager and I had the plan to do the acoustic record and build a little from there. I was gonna do a new electric record, but he said, 'MÖTLEY's doing their farewell, and they're not playing any of that material you were on. Learn that whole record and tour it.' We just started doing it, but there's a lot of interest in the fact we're out playing that record."Corabi recently spoke to Philadelphia's 93.3 WMMR radio station about the possibility of collaborating again with Mick Mars on the MÖTLEY CRÜE guitarist's forthcoming solo album. "I don't know what he wants to do musically, but at the end of the day, I love Mick Mars — he's one of the sweetest human beings you'll ever meet in your life — and anything I can do to help him with his solo record, I would be more than happy to do," Corabi said. "I appreciate the fact that Mick has been just stupidly supportive of what we did in the past, and I appreciate Mick's talent as a guitar player; I think he's totally underrated. And anything I can do to help him, he's more than willing to help me with what I wanna do. So we'll have to see where it goes from there."In a 2012 interview, Mars stated about MÖTLEY CRÜE's 1994 self-titled album: "I thought that was probably… To me, and I can only speak for me, I think that was probably the best album we've done. Musical-wise, the songs, I felt, were strong. And just musically, to me, it was, I guess, my BEATLES 'White Album'; that's kind of how I feel about that one. I'm not saying that any of my other albums are crummy or anything like that — I love every album that we did — but that one just has a special thing for me."

johncorabibourbonposterottawa2015.jpgRead more... then come back and comment below.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...