Jump to content

SLIPKNOT's COREY TAYLOR Explains How KORN Collaboration On BEASTIE BOYS' 'Sabotage' C


dilatedmind

Recommended Posts

To mark the announcement of SLIPKNOT's "Summer's Last Stand Tour" with LAMB OF GOD, BULLET FOR MY VALENTINE and MOTIONLESS IN WHITE, thousands of fans posted great questions for SLIPKNOT singer Corey Taylor to answer. You can now watch the question-and-answer session below.Asked how he and KORN singer Jonathan Davis came up with the idea of covering the BEASTIE BOYS song "Sabotage" at the two bands' January 23 concert at The SSE Arena in London, England during their joint U.K. tour, Taylor responded: "Well, me and Jonathan did not come up with that idea, actually. That was [KORN bassist] Fieldy's idea. We had been kinda joking about doing something together at one of the shows, and Fieldy was, like, 'Why don't we just do 'Sabotage'?' We all kinda dug it, we got together, we jammed it out, and the rest is history. So, good on you, Field."Prior to the London concert, a posting on KORN's Instagram account hinted that the two bands were "maybe doing a cover tonight in London" with a photo of the musicians performing together in soundcheck. KORN later announced on Twitter that a video of the entire "Sabotage" performance would be made available at some point in the future. They also released "a little teaser" of the collaboration, featuring footage shot with a GoPro camera that hovered over the band and the crowd.In an October 2014 interview with the "Metal Hammer Radio Show", SLIPKNOT singer Corey Taylor stated about touring with KORN: "Not only were they the band that we loved, but we also aspired to what they had. It wasn't until a handful of years later that we actually got to meet them and we got to know them, we got to be very close with them, to the point where now it's very weird to think that [KORN frontman] Jonathan Davis has me on a first-name basis. It's crazy when the bands you look up to become your peers; that's a pretty big statement to what you've done, especially with that band, because I have so much respect for what they've been able to do and what they've accomplished, and just how far they've been able to push their music. I mean, it's fantastic. This is something that we've been trying to put together for a very, very long time. Just putting together a tour with them and finally, finally we get to do it and it just felt like the right time. They were available, we were ready to do it and the rest is going to be history." Davis was similarly excited about sharing the stage with SLIPKNOT, telling a radio station in Philadelphia: "We've been longtime friends with the SLIPKNOT guys, so we're really excited to be doing this tour… We've done stuff together… We had Corey come out and sing 'Freak On A Leash' one time live, and then when I got sick back in Europe in '06, he covered for me on a show and sang a couple songs, because I was in the hospital and couldn't perform."SLIPKNOT's first major U.S. headlining tour in support of its new album, ".5: The Gray Chapter", dubbed "Prepare For Hell", also featured KORN and KING 810.The trek kicked off on October 29, 2014 in El Paso, Texas and wrapped up on December 7, 2014 in Boston.".5: The Gray Chapter" sold around 132,000 copies in the United States in its first week of release to land at position No. 1 on The Billboard 200 chart. The CD arrived in stores on October 21, 2014 via Roadrunner. Post by Slipknot.

A little teaser @GoPro clip from tonight's show with our boys @Slipknot covering Beastie Boys "Sabotage" in London! Stay tuned for the full video! Video: @brandonbuchanan23 #Korn #Slipknot #PrepareForHellTour #Sabotage

A video posted by Korn (@korn_official) on Jan 23, 2015 at 2:09pm PST

slipknotkornuktourposternew.jpgRead more... then come back and comment below.
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...