Jump to content

FALLUJAH - sign to Nuclear Blast ...


dilatedmind

Recommended Posts

Nuclear Blast Entertainment is proud to announce the signing of progressive death metal masters, FALLUJAH! These San Francisco Bay Area natives caused quite a stir amongst the music world with the release of their latest album, »The Flesh Prevails«. It topped several “best of 2014” lists in not only the metal world, but in the progressive music community as well and won over scores of new fans with their fresh, emotive, and technically challenging music. As a result, FALLUJAH has paved the way for a new melodic and atmospheric perspective on death metal!"We're extremely excited to be part of a roster alongside not just great bands, but great people who are dedicated to the craft and enthusiastic about our vision of where we see FALLUJAH going,” comments the band. “FALLUJAH is all about pushing the envelope, taking risks, and keeping an open mind; with that mentality we felt Nuclear Blast was the most obvious and logical step for a band such as ours. With our team behind us, we can’t wait to see FALLUJAH grow."Since forming in 2007, FALLUJAH has displayed a rugged work ethic which has seen them invest in countless weeks on the road all over the world. The band will continue to bring the metal to the masses this winter, with a tour with THE CONTORTIONIST, which will be immediately followed by their very own headlining run. Confirmed dates are as follows:THE CONTORTIONIST, REVOCATION, FALLUJAH, TOOTHGRINDER02.02. USA Indianapolis, IN - Emerson Theater08.02. USA Joliet, IL - Mojoe’s10.02. USA Nashville, TN - The End11.02. USA Knoxville, TN - The Concourse13.02. USA Jacksonville, FL - 1904 Music Hall14.02. USA Tampa, FL - The Orpheum15.02. USA Orlando, FL - Backbooth17.02. USA Greensboro, NC - Greene Street Club18.02. USA West Springfield, VA - Empire19.02 USA Amityville, NY - Revolution Bar & Music20.02. USA Hartford, CT - Webster Underground21.02. USA Brighton, MA - Brighton Music Hall22.02. CND Montreal, QC - Le Petit Campus23.02. CND Quebec City, QC - Le Cercle25.02. CND Ottawa, ON - Maverick’s26.02. CND Toronto, ON - Tattoo Rock Parlor27.02. USA Grand Rapids, MI - The Intersection28.02. USA Newport, KY - Thompson HouseFALLUJAH, ARCHSPIRE, LORNA SHORE, THE ZENITH PASSAGE03.03. USA Denver, CO - Marquis Theater04.03. USA Salt Lake City, UT - Loading Dock05.03. USA Boise, ID - The Shredder06.03. USA Spokane, WA - Northwest Pinnacle07.03. USA Seattle, WA - El Corazon *early show*08.03. USA Portland, OR - Hawthorne Theater *early show*10.03. USA Sacramento, CA - Boardwalk11.03. USA San Francisco, CA - DNA Lounge12.03. USA Hollywood, CA - The Whisky14.03. USA Sanata Ana, CA - Malone’s15.03. USA San Diego, CA - House of Blues16.03. USA Phoenix, AZ - Joe's Grotto18.03. USA Austin, TX - Metal Sucks SXSW Showcase20.03. USA Austin, TX - New England Hardcore & Metalfest SXSW Showcase21.03. USA Mission, TX - Never Say Never22.03. USA Fort Worth, TX - Quik Trip ParkFALLUJAH’s commitment to crafting forward thinking music, has helped them build their own diehard fanbase from the ground-up through several releases; 2009’s »Leper Colony« EP, 2011’s »The Harvest Wombs« LP, »Nomadic« EP in 2013, and most recently their critically acclaimed album »The Flesh Prevails«.»The Flesh Prevails« was mixed, mastered and engineered by Zach Ohren(ANIMOSITY, SUFFOCATION, ALL SHALL PERISH) at Sharkbite Studios in Oakland CA over the course of a few months. It features guest appearances from Christian Muenzner (SPAWN OF POSSESSION, ex-OBSCURA, ex-NECROPHAGIST) and the voice of Roniit Alkayam. The cover artwork was a collaborative effort between Poland's Tomasz Alen Kopera and the band's vocalist, Alex Hofmann. fallujah.tour2015.jpgRead more... then come back and comment below.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...