Jump to content

DEVILMENT - release second episode of ...


Recommended Posts

Witch County England's finest, DEVILMENT featuring the master of horrors, Dani Filth (CRADLE OF FILTH, TEMPLE OF THE BLACK MOON), have published the second epsiode of the official album interview series for the band's upcoming debut album, »The Great And Secret Show«, which is scheduled to be released on Halloween 2014 (October 31).Check out Dani, Daniel and Lauren talking about the album's title, its artwork and lyrical concept: Furthermore the tracklist for »The Great And Secret Show« has been announced today. See below.The band, consisting of Dani Filth (vocals), Daniel Finch (guitar & samples) Colin Parks (rhythm guitar/lead guitar), Nick Johnson (bass guitar), Aaron Boast (drums), Lauren Francis (keyboards & vocals) recently signed a deal with Nuclear Blast Entertainment. Dani Filth had this to say about the signing, "I am thrilled to be a part of the Nuclear Blast family with my other band, the Witch County fiends DEVILMENT. Our debut album »The Great And Secret Show« is a horror-metal fuelled slay ride of maleficent proportions and deserves some deep infernal love from a label that has dominated the metal market for aeons. And we have found that unconditional love at Nuclear Blast. All of us in the band are really looking forward to the forthcoming months, as the proverbial war machine kicks into gear and the album surfaces like some sub-aquatic monster hellbent on smashing stuff. Until then keep a cyclopean eye out for regular social media updates, videos and the announcement of live shows to further whet your appetite...” »The Great And Secret Show« was recorded at Grindstone Studios in Suffolk with producer Scott Atkins, who has previously worked with the likes of CRADLE OF FILTH, BEHEMOTH, AMON AMARTH, SYLOSIS and GAMA BOMB. The artwork (see below/attached) was created by legendary Drake Mefestta. Adds Filth: "The album cover depicts an intended escape by one of Jack The Ripper's victims, (followed as she is down a moonlit Victorian alley) into another enchanted realm.Some might read it as an imagined release from the horrible pain to follow, but the artist Drake Mefestta and I thought it served to show the lure of the mystical, amid a sea of debauch.The artwork that follows in the booklet is a stunning articulate walk-through of that enchanted realm. The album is entitled »The Great And Secret Show« and concerns itself with the occult pulse behind the world, a land of imagination that can be slipped into at will. Like a generator buzzing behind everything. The truth behind the Wizards curtain. A phantasmagorical nightscape. A wonderland. A midnight playground. The fertile land of the dead." The band’s first single ‘Mother Kali’ can be heard here: http://youtu.be/Il61bCC4g3wThe first episode of the official album interview series can be watched at http://youtu.be/CZ9BNnIduls»The Great And Secret Show« tracklist:01. Summer Arteries02. Even Your Blood Group Rejects Me03. Girl From Mystery Island04. The Stake In My Heart05. Living With The Fungus06. Mother Kali07. Staring At The Werewolf Corps08. Sanity Hits A (Perfect) Zero09. Laudanum Skull10. The Great And Secret Show--- Bonus Tracks11. Beds Are Burning (MIDNIGHT OIL cover)12. Psycho Babble13. Even Your Blood Group Rejects Me (Motion Picture Soundtrack) DEVILMENT will be touring for the first time later this year and have announced a string of live dates with LACUNA COIL and MOTIONLESS IN WHITE. Dani Filth also makes a guest appearance on the latest MOTIONLESS IN WHITE single ‘Puppets 3 (The Grand Finale)’ which can be heard here:

LACUNA COILMOTIONLESS IN WHITEDEVILMENT31.10.14 UK Bristol - Anson Rooms01.11.14 UK London - The Forum02.11.14 UK Glasgow - 02 ABC04.11.14 UK Manchester - The Ritz05.11.14 UK Birmingham - The Institute06.11.14 LUX Esch/Alzette - Rockhal08.11.14 D Wiesbaden - Schlachthof09.11.14 NL Utrecht - Tivoli10.11.14 B Hasselt - Muziekodroom12.11.14 D Hamburg - Gruenspan13.11.14 D Cologne - Essigfabrik14.11.14 D Berlin - C-Club15.11.14 D Herford - Club X17.11.14 D Munich - Backstage18.11.14 CH Pratteln - Z720.11.14 I Bologna - Zona Roveri21.11.14 I Treviso - New Age22.11.14 I Rome - Orion23.11.14 I Milan - Live ClubYou have been warned. Read more... then come back and comment below.
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...