Jump to content

Builders of the Future - POWERMAN 5000


Recommended Posts

Spider One never accepts defeat. So professed on the opening track "Invade, Destroy, Repeat" from POWERMAN 5000's new album, "Builders of the Future". POWERMAN 5000 has come many miles since "The Blood Splat Rating System" and "Mega! Kung-Fu Radio", even if the current mark on the destination map sways full circle to 1999 and the band's breakout album "Tonight the Stars Revolt!" Of course, the lone enduring personnel from "Tonight the Stars Revolt!" is Spider One himself and only one full-time holdout from POWERMAN 5000's previous album from 2009, "Somewhere On the Other Side of Nowhere", remains. Joining Spider and bassist Gustavo "X51" Aued this time around are guitarist Nick "Sci55ors" Quijano and drummer Adrian "Ad 7" Ost, along with supplemental guitars and drums coming from prior member Evan Rodaniche (aka Evan 9) and DJ Rattan, respectively. Rodaniche is also credited as a co-songwriter along with Spider, and former guitarist Dave "Velkro" Pino contributed to the writing on "How to Be a Human". The end result of "Builders of the Future" is a jump backwards in the attempt to move forward. Spider One took a brief bow from his jumpy cyber rock plots on the back-to-basics punk sojourn, "Destroy What You Enjoy". That need to reconnect with the gutter well out his system, Spider and POWERMAN 5000 got back to the band's historic fixation upon groove on "Somewhere On the Side of Nowhere", which leads to this album's full-on pump."Builders of the Future" sounds like the Playstation model one era of mecha-minded party rock likewise endorsed by STATIC-X and, to some latitudes, Marilyn Manson. Spider One huffs with mock glee that we all like living in the digital age on "Modern World", which sounds behind-the-times at face value. There is, however, underlying sarcasm ladled into "Modern World" and on much of "Builders of the Future", where sci-fi obsession, gadget worship, information overload and cybersex undermine and gloss over the political stratum to the point we're blindly following along to the preset pulse of technology. It's not long before Clu bursts out of the "Tron" world and hijacks us all.That being said, "Builders of the Future" is just about one dance rock jam after another before turning a couple of odd tricks to give Spider One and POWERMAN 5000 a pair of different holding cards. Much of "Builders of the Future" sounds like the aspirant soundtrack to a pop-flavored Silver Surfer movie adaptation. That, or an unapologetic retro return to the industrial dance metal and techno shakes that amped up the Mortal Kombat flicks. "Invade, Destroy, Repeat", "We Want it All", "Evil World", "Builders of the Future", "How to Be Human", "Live it Up Before You're Dead" and "You're Gonne Love it, If You Like it Or Not" are tailored for maximum tempos and proto riffs carried by all of the electro-dance modes as can be withstood. This is the stuff Terry McGinnis and his friends grind ass and yell "Schway!" to in his downtime on "Batman Beyond". Of these, "We Want it All" has the toughest set of riffs and the best organic glue to keep this album grounded from its escapist's vie to blast off to nowhere.The curveball to "Builders of the Future" comes with the acoustic-driven and damned unsettling "I Want to Kill You", where Spider One delivers a nearly sedate vocal performance on a song dealing with sadomasochism. There's still some suffused electronics rolled into the slow-rolling perversion of "I Want to Kill You", a song that comes off disturbingly hip and equally cinematic in nature. Not quite as effective is the calypso base Spider One calls up for "I Can't Fucking Hear You", which is front loaded with the loudest riffs on this album. It's a good idea in theory, but the intended lowbrow nature of the song doesn't quite measure up to its slinking rhythm. Whether you're a fan or not of what POWERMAN 5000 stands for, Spider One sells it like those venom-crusted "slappers" in "Batman Beyond". "Builders of the Future" has a few in-jokes, but it's primarily about chasing an adrenaline rush. Live it up if you're so inclined. Read more... then come back and comment below.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...