Jump to content

SOUNDGARDEN's 20th-Anniversary Reissue Of 'Superunknown': First-Week Sales Revealed


Recommended Posts

The 20th-anniversary reissue of SOUNDGARDEN's breakthrough 1994 album, "Superunknown", sold 5,700 copies in the United States in its first week of release to land at position No. 51 on The Billboard 200 chart. The 20th-anniversary reissue of "Superunknown" was made available in two deluxe versions outlined below. The Deluxe Edition is a 2-CD package featuring the remastered album along with disc two consisting of demos, rehearsals, B-sides and more. The Super Deluxe Edition is a 5-CD package featuring the remastered album, additional demos, rehearsals and B-sides and the fifth disc is the album mixed in Blu-ray Audio 5.1 Surround Sound. The Super Deluxe Edition is incredibly packaged in a hardbound book with a lenticular cover, liner notes by David Fricke and newly reimagined album artwork designed by Josh Graham. It also features never-before-seen band photography by Kevin Westerberg. A 2-LP gatefold of the original 16 vinyl tracks remastered on 200-gram vinyl in a gatefold jacket will also be made available. In addition, the "Superunknown" singles and associated b-sides with newly interpreted artwork sleeves by Josh Graham will be reissued on Record Store Day, April 19, as a set of five limited-edition 10-inch vinyl records. In a recent interview with Loudwire Nights" host Full Metal Jackie, SOUNDGARDEN singer Chris Cornell stated about "Superunknown": "I think the main thing is, it's sort of unquestionably SOUNDGARDEN in every way. I don't think there are songs on it that could have or would have been written by anyone else, arranged that way, performed that way, whether it's the music, lyrics, the sounds. I think we had already come into our own and had our own sound, but 'Superunknown' cemented it as living in its own world. It created an autonomy for us that we could make albums that were strictly SOUNDGARDEN albums that no one else was going to sound like and no one else could write. We kind of lived in our own world. I think that was important for us. I think we started out as a band that way, and I think during the early '90s, we then sort of lost the autonomy being lumped into other Seattle bands. That wasn't bad; that was a good thing. It was great that it was us and our friends kind of conquering the world. But it took away some of that autonomy for all of us. And 'Superunknown' for us, in one fell swoop, immediately got that back. There are songs on it that just, if you look at the history of rock, they're just nothing like anything else. And that was the beginning of it. I think that was the seed that led to 'Down On The Upside' and 'King Animal' in terms of our process and in terms of us owning who we are. So it was a good period for us. I couldn't say that we knew that we were doing that when we were making it. We were making that album just like any album. One song at a time. Just writing songs, but it became that." "Superunknown - Deluxe Edition" 2CD track listing: CD One - Remastered Album 01. Let Me Drown 02. My Wave 03. Fell on Black Days 04. Mailman 05. Superunknown 06. Head Down 07. Black Hole Sun 08. Spoonman 09. Limo Wreck 10. The Day I Tried to Live 11. Kickstand 12. Fresh Tendrils 13. 4th of July 14. Half 15. Like Suicide 16. She Likes Surprises CD Two - Demos, Rehearsals, B-Sides & More 01. Let Me Drown (Demo)^ 02. Black Hole Sun (Demo)^ 03. Half (Demo)^ 04. Head Down (Rehearsal)^ 05. Limo Wreck (Rehearsal)^ 06. The Day I Tried to Live (Rehearsal)^ 07. Like Suicide (Acoustic) 08. Black Days III* 09. Birth Ritual (Original Demo Version) 10. Exit Stonehenge 11. Kyle Petty, Son of Richard 12. Jerry Garcia’s Finger 13. Spoonman (Alternate Steve Fisk Remix)^ 14. The Day I Tried To Live (Scott Litt Mix)^ 15. 4th of July (Instrumental)^ 16. Superunknown (Instrumental)^ "Superunknown - Super Deluxe" track listing: CD One - Remastered Album 01. Let Me Drown 02. My Wave 03. Fell on Black Days 04. Mailman 05. Superunknown 06. Head Down 07. Black Hole Sun 08. Spoonman 09. Limo Wreck 10. The Day I Tried to Live 11. Kickstand 12. Fresh Tendrils 13. 4th of July 14. Half 15. Like Suicide 16. She Likes Surprises CD Two - B-Sides & More 01. The Day I Tried To Live (Alternate Mix)^ 02. Spoonman (Alternate Steve Fisk Remix)^ 03. Beyond The Wheel (Live) 04. Fell On Black Days (Live) 05. Birth Ritual (Original Demo Version) 06. Jesus Christ Pose (Live) 07. Like Suicide (Acoustic Version) 08. Kickstand (Live) 09. My Wave (Live) 10. Spoonman (Steve Fisk Remix) 11. Exit Stonehenge 12. Kyle Petty, Son of Richard 13. Black Days III* 14. Ghostmotorfinger** 15. Jerry Garcia’s Finger 16. Fell On Black Days (Video Version) CD Three - The Demos (unreleased) 01. Let Me Drown (Demo) 02. Fell On Black Days (Demo) 03. Superunknown (Demo) 04. Black Hole Sun (Demo) 05. Spoonman (Demo) 06. Fresh Tendrils (Demo) 07. 4th of July (Demo) 08. Half (Demo) 09. Like Suicide (Demo) CD Four - The Rehearsals (unreleased) 01. Black Hole Sun (Rehearsal) 02. Bing Bing Goes To Church (Rehearsal) 03. Half (Rehearsal) 04. Head Down (Rehearsal) 05. Kyle Petty, Son Of Richard (Rehearsal) 06. Let Me Drown (Rehearsal) 07. Limo Wreck (Rehearsal) 08. My Wave (Rehearsal) 09. Fresh Tendrils (Rehearsal) 10. Like Suicide (Rehearsal) 11. Ruff Riff-Raff (Rehearsal) 12. Exit Stonehenge (Rehearsal) 13. Spoonman (Rehearsal) 14. The Date I Tried To Leave (Rehearsal) 15. The Day I Tried To Live (Rehearsal) Disc Five - Blu-Ray Audio 5.1 MIX 01. Let Me Drown (5.1 Mix) 02. My Wave (5.1 Mix) 03. Fell On Black Days (5.1 Mix) 04. Mailman (5.1 Mix) 05. Superunknown (5.1 Mix) 06. Head Down (5.1 Mix) 07. Black Hole Sun (5.1 Mix) 08. Spoonman (5.1 Mix) 09. Limo Wreck (5.1 Mix) 10. The Day I Tried To Live (5.1 Mix) 11. Kickstand (5.1 Mix) 12. Fresh Tendrils (5.1 Mix) 13. 4th Of July (5.1 Mix) 14. Half (5.1 Mix) 15. Like Suicide (5.1 Mix) 16. She Likes Surprises (Int’l Vers & Us 12 Read more... then come back and comment below.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...