Jump to content

FRANKIE BANALI Is 'Not Apologetic' For Saying He Would Never Reform QUIET RIOT Withou


Recommended Posts

Fred Topel of CraveOnline.com recently conducted an interview with QUIET RIOT drummer Frankie Banali and Regina Russell, the writer and director of "Well Now You're Here, There's No Way Back: The Quiet Riot Movie", the feature documentary on QUIET RIOT. A couple of excerpts from the chat follow below. CraveOnline.com: Is there anything like saying no, we'll never reform QUIET RIOT to motivate you to ultimately reform QUIET RIOT? Frankie Banali: QUIET RIOT has had a long history of being told no and we can't do that. Right from the get-go, nobody was really interested in signing the band, and if you look at historically what happened, it was the complete opposite of no, you can't. That has been a common thread through the entire history of the band, so I'm pretty much used to having people tell me no and then I go ahead and do it anyway. CraveOnline.com: And even when you tell yourself no, you go ahead and do it anyway? Frankie Banali: Yeah, well, you have to understand, and what most people don't understand is when I lost Kevin [DuBrow, QUIET RIOT singer], to me, it was just complete darkness. I never really thought I'd see light at the end of that tunnel again. I mean, there really was no light at the end of that tunnel, but as time passed and I was able to reconcile with the situation, I found that I missed Kevin, but I also missed QUIET RIOT and at the end of the day, this is what I do and I saw no reason to stop doing it. So I'm not apologetic for my statement. The statement was made, it was very honest and it was made during a period of intense grief. CraveOnline.com: Was auditioning new singers almost worse than hearing any karaoke rendition of "Cum On Feel The Noize"? Frankie Banali: I gotta be honest with you, I have never, and this is no disrespect to some of the kind people that came down and were trying to grab that so called brass ring, I can't remember the last time when I have laughed so much and also felt embarrassed so much. It was an interesting process. CraveOnline.com: It made me think, usually when people pick that song at karaoke they know how to do it. Frankie Banali: Well, there's one thing doing it karaoke, especially after you've had several drinks and your audience has had more than several drinks and it all really, really sounds good. I know that when I get in the shower and sing, I sound like [italian operatic tenor of the early 20th century] Caruso and you definitely want to keep a microphone away from me. But, when these people came in, God bless 'em but they were not anywhere near the mark. Regina Russell: One thing that I found that was interesting was when we started talking to singers about coming down to audition, we had a lot of pro singers on the list. When they found out that they had to learn that song, a lot of the really good ones dropped out because they knew that they could not hit those notes. It was the ones that didn't know that they couldn't hit the notes that actually showed up. Read the entire interview at CraveOnline.com. wellnowyoureherefilm2014poster.jpgRead more... then come back and comment below.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...