Jump to content

SEVENDUST: Pro-Shot Acoustic Performance Of 'Black' From GUITAR CENTER


Recommended Posts

SEVENDUST recently stopped by Guitar Center in Hollywood, California and played an acoustic version of the song "Black". Check out the footage below. SEVENDUST drummer Morgan Rose recently spoke to VH1 Radio Network about the band's upcoming two-DVD set, which will include an acoustic show and a heavy concert. He said: "Nobody knows this but I'm going to start telling everybody now, but we're going to do a two-DVD set with an acoustic show and a heavy show and we're bringing out massive production for the heavy show and we're going to do it in New York and we're going to do it at Hammerstein [ballroom] and it's going to be free and we're going to destroy that place." Morgan went on to describe what fans can expect from that "heavy" show. "We're going to bring out so much production, it might be the only time you ever see us like that," he said. "I mean, we're blowing shit up. We're going to blow stuff up, we're going to have fire, we're going to have dragons. We're going all the way. And I'm not kidding. I talked to the people last night and they're, like, 'Listen, you have to have fire.' They're, like, 'I love your band, your band is underrated, you've never been able to play with fire and bombs, we're playing with fire and bombs. We're going to let people see what SEVENDUST would look like if they had everybody else's money.' So I was, like, 'Yeah, I like that.'" Morgan said to expect the heavy show to happen before the end of August, while SEVENDUST's June 8 acoustic gig in Sayreville, New Jersey will be the one they film for the DVD. The package will be out in time for the holidays. SEVENDUST's new acoustic album, "Time Travelers & Bonfires", sold around 15,000 copies in the United States in its first week of release to debut at position No. 19 on The Billboard 200 chart. The CD was made available on April 15 via 7Bros. Records, in conjunction with ADA Label Services. The Atlanta band — Lajon Witherspoon (vocals), Morgan Rose (drums/vocals), Clint Lowery (guitar/vocals), John Connolly (guitar/vocals) and Vince Hornsby (bass/vocals) — recorded "Time Travelers & Bonfires" at Architekt Studios in Butler, New Jersey (where they recorded their previous "Black Out The Sun" album). It is a collection of brand new songs, along with re-recorded SEVENDUST classics. Newly re-recorded songs include "Black", "Gone", "Denial", "Karma", "Trust" and "Crucified". Six brand new songs have also been written and recorded for the acoustic album. It's not the first time SEVENDUST has explored their acoustic side. Their critically acclaimed "Southside Double-Wide" live acoustic album was released in 2004.

Read more... then come back and comment below.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...