Jump to content

CLUTCH's NEIL FALLON Talks To GetYourRockOut (Video)


Recommended Posts

On April 24, Felicity Hall of GetYourRockOut conducted an interview with vocalist Neil Fallon of Maryland rockers CLUTCH before the band's concert in Manchester, England. You can now watch the chat below. CLUTCH has teamed with producer J. Robbins (THE SWORD, COLISEUM) to record the new song "Run, John Barleycorn, Run". The track was released on April 19 via Weathermaker Music as a special split seven-inch single with labelmates LIONIZE as part of Record Store Day. On June 10, CLUTCH will release a triple deluxe version of their acclaimed "Earth Rocker" album via Weathermaker Music. Released in 2013, "Earth Rocker" was tagged by Rolling Stone on the "Top 20 Metal Albums" list and hailed by the magazine for its fusion of "seething admixtures of jam-band chops, careening blues-punk riffs" (December 2013). The "Earth Rocker" triple deluxe album package will include: 1) the full record and brand new songs "Night Hag" and "Scavengers", 2) "Earth Rocker Live", a CD audio version of the album performed live; and 3) on DVD "Live In Denver" recorded with seven cameras in 1080i on November 14 at the sold-out Ogden Theatre show in Denver, two videos shot, directed and edited by actress Aisha Tyler: "Gone Cold" (unreleased) and "Crucial Velocity". Produced, engineered and mixed by Machine (KING CRIMSON, LAMB OF GOD), "Earth Rocker"'s triple deluxe cover artwork was created by longtime CLUTCH art director Nick Lakiotis. A claymation video created by an inspired CLUTCH fan, Curtis Hein, without any input from the band can be seen below. Curtis spent months working on the clip which features an animated CLUTCH performing "The Wolf Man Kindly Requests…" that will now be included on the forthcoming "Earth Rocker" triple deluxe album out June 10. CLUTCH's classic 2005 album, "Robot Hive/Exodus", will receive a collector’s edition double vinyl release on Tuesday, June 10. The beautiful double LP is remastered and comes in a re-designed gatefold package boasting some of CLUTCH's best tracks. CLUTCHNeil Fallon (vocals, rhythm guitar), Tim Sult (lead guitar), Dan Maines (bass,), Jean-Paul Gaster (drums and percussion) —launched an overseas tour on April 22 in Newcastle, U.K. at the O2 Academy, taking them through the European festival circuit through June 29. In July, they'll return to the U.S. for a handful of shows before joining JANE'S ADDICTION, RISE AGAINST, GOGOL BORDELLO and HALESTORM at the Shindig Festival in Baltimore, Maryland on Saturday, September 27.

earth_rocker_album_cover_artwork_-_triple_delux_edition.jpgclutchlionizecover.jpgRead more... then come back and comment below.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...