Jump to content

METALLICA Guitarist Featured In Special Halloween Episode Of 'Toy Hunter'


dilatedmind

Recommended Posts

METALLICA guitarist Kirk Hammett will appear on tonight's special one-hour episode of "Toy Hunter". According to The Music Universe, in this Halloween special, "toy and collectibles expert Jordan Hembrough is on the hunt for some of the scariest toys to sell at the Midwest’s HorrorHound convention. Further, Hembrough’s toy buddy Mark needs help with a special client — METALLICA guitarist Kirk Hammett, who’s looking for extremely vintage, scary toys. In between scoring 'Ghostbusters' memorabilia in Connecticut and a 1972 Parker Brothers Ouija board in Salem, Massachusetts, Hembrough scours the country for the perfect monster memorabilia for Hammett. Not only is Hembrough pressured to locate just the right item to ensure Hammett is a happy customer, but he risks losing a potential new rock star client if he fails." Check local listings for exact air times. Asked in a 2012 interview when he first started collecting horror artifacts, Hammett replied: "Well, I've been into the horror genre ever since I was five years old. You can say I actually started collecting at six years old. That's when I bought my first monster magazine and started buying monster toys in the late '60s, early '70s. I got a lot of comic books and magazines. That was a constant throughout my childhood. Then, when I was about 13 years old, I got into rock 'n' roll, particularly hard rock. That led me away from horror. Once I started listening to the music, buying albums, and going to record stores by myself, I turned a corner, and I was doing things that were a bit more 'grownup.' For a brief while, I thought all of my comic books and horror books were kids' stuff. I got engulfed in music, bought a guitar, and started playing obsessively. I made a conscious pact to become a musician. That dominated my focus for the next eight or nine years. Once I started making a little bit of money with METALLICA, I thought, 'Wow, I'm still really into horror movies.' Throughout that time, I was watching a lot of horror films. I just wasn't buying comic books, magazines, or toys. I was remotely connected to the genre though. When I started getting a little bit of money, I began buying comic books, horror magazines, and a lot of horror toys from the '60s. I wasn't able to get them before. I was really into the toys from the early part of that decade when I was still an infant. In my early twenties, I realized there was this network of people that was way into this stuff. I fell into this network, and it spanned across the country. One thing led to another and I was collecting everything again. I found myself going full bore once more. I started at six. There was a time rock 'n' roll drew me away from being a monster kid, but I was able to get back into it. I totally delved into it and never stopped." Read more... then come back and comment below.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...