Jump to content

DERRICK GREEN: SEPULTURA 'Has The Right To Keep The Name And Continue On'


dilatedmind

Recommended Posts

Live-Metal.net recently conducted an interview with vocalist Derrick Green of Brazilian/American metallers SEPULTURA. A couple of excerpts from the chat follow below. Live-Metal.net: Is that at all surprising to you that it's taken so long for fans to accept you into the band, even after seven albums, 10-15 years, or whatever it's been. And is it still a challenge every day to win back these older fans? Derrick Green: It's not really that surprising. A lot of times in the world of metal when you're a fanatical fan of a band that you really enjoy, it's hard to see certain changes happen. There have been a lot of changes in bands that I have loved in the past and they made changes happen. But being an artist, I understand a little bit more that those changes were inevitable sometimes. It's just life. It's just constantly changing, and it's just something that you have to deal with. As an adult and as a human being, those things are going to happen. When you look at life that way and there are changes that happen for a reason, you can kind of get beyond living in the past. But instead a lot of people do, and I do the same because there are things I'm going to always love. But I love from that time period — that time period when I discovered SEPULTURA and "Arise", and I had a cassette tape that a friend gave to me and it was amazing. And I cherish it, and it can never be replaced. It can never go back truly to that time. It would be silly to even think that. For me, I think the challenge for us is the fact that we love what we do. We never walk away from this band, we have always stuck to it and we always stayed focused on creating new music. And music that we wanted to do. Everything was a process, and we knew that it would take time to evolve, to know each other, to get to do it together, to create music together. We needed that time to bond, and I think it was all a process of evolving for us. And we wanted to get better with each album, and I think we've been doing that since we've been together. And for us, that's always been our goal, to really focus on music and leave all the other stuff behind. A consequence of just focusing and doing what we do and the drive and not giving up has brought a lot of new fans that have never seen SEPULTURA in any period of "Chaos A.D." or "Roots" or "Beneath The Remains". So we have those new fans that truly appreciate what we've been doing since I've been in the band. And then they go back and listen to old stuff, and they have an understanding, but they're not really kind of dwelling on the past. And then there's the old fans that we brought back who had lost touch with the band and are not really feeling the changes. But they still have that hope and that glimmer, and they still like good music. So I think that we're able to produce some good music that people are interested in hearing, so it's great to see that mix. And I know that we'll never be completely bringing back all the old fans, but that's never been my goal. Our whole goal has really just been to create and write great music. Live-Metal.net: What has been you lowest point in the band since you have been in SEPULTURA, and what has been the highest? Derrick Green: I think the low was definitely [drummer] Igor [Cavalera] leaving [in 2006]. That was a pretty horrible time to be in the band. We had worked so hard on what I think was a really great album and never had the chance to tour with him on that album, even though he recorded everything. So that was probably a pretty big low, and there was definitely like some big decisions being made at that point of what to do. There have been so many highs, but I think one of the biggest ones was playing Cuba. There had never been a metal band in there before and we were the first. They don't have many bands that play there at all because they're not allowed to play. I think the tour with SLAYER — one of my first tours — through Europe was a really big high and touring South America with METALLICA was a pretty extreme high. Live-Metal.net: OK, so answer this how you wish. I kind of feel like a double agent because I actually interviewed [former SEPULTURA frontman] Max [Cavalera] a couple of weeks ago and he had some pretty strong comments. I honestly just asked him what he thought about you guys working with [producer] Ross Robinson again, thinking that maybe he'd be interested or maybe he would have said it was cool that you guys were reconnecting again. But I got the exact opposite response, with him saying he "didn't give a fuck" about what you guys were doing, Ross hadn't done anything good in a long time and that the band shouldn't even be called SEPULTURA. Do you have any response to this or would you rather not go there? Derrick Green: I usually don't like to talk bad about people, especially in interviews. It doesn't really come out professional, I think. And it doesn't really change anything. For me, I prefer not to. I don't have any problems with anybody. I think the situation I was in when I joined the band, I heard a lot of the same stuff even with Igor in the band — and he's a Cavalera. With Igor, [guitarist] Andreas [Kisser], [bassist] Paulo [Pinto Jr.] and I, people said we should change the name, but I got to see a different side to what people are seeing. I'm seeing from the inside where A) Igor played drums on all the SEPULTURA albums, up until he left. So he was just as much as part of the band as Max. <ahttps://www.metalforum.com/uploads/emoticons/default_cool.png' alt='B)'> Andreas played all the solos, played the lead guitar on all the SEPULTURA albums that people were talking about, and Paulo, as well. So I think they were really hurt when fans were implementing that Max had written everything. But he was the front person, so you could understand why people would think that he did mostly everything. But in the band situation and what made everything so powerful and connecting at that time was they were playing together. And the fact that the combination of those people together created SEPULTURA and that's what SEPULTURA was — it was a group. It wasn't like one person writing everything and that was it. Once you have that understanding, you see that those guys didn't quit. Andreas, Igor and Paulo wanted to continue. So they have been in the band for so many years and have done so many things together that they have the right to keep the name and continue on. At the same time, with me being in the band at that time and playing and them asking me to be a part of SEPULTURA, they said, "This is the band, and this is what we've been doing." It meant that I had to move my life to Brazil, learn Portuguese, travel the world, play and do everything, putting everything into it. Once Igor left, he decided to leave freely. He wasn't kicked out or anything like that or anything dramatic. He just didn't want to play anymore. He wanted to move on in his life and do other things, different things. And so for us, we believed in the band. We didn't want to walk away from anything that we had been doing. We truly love and enjoy what we're doing, and we always fought for the name and for the respect. And we've always had a good representation of presenting the band live. It's extremely important for people to see us and that we're capable to play the songs correctly. For us, it's always in our hearts — the idea of the band and that we still believe, of course, legally and morally, and anyway you want to look at it. We will always have that name, and we will always fight for it. That's who we truly believe that we are, and we've been representing for the past 16 years, and Paulo and Andreas for even longer. Read the entire interview at Live-Metal.net. Read more... then come back and comment below.
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Join Metal Forum

    joinus-home.jpg

  • Our picks

    • Whichever tier of thrash metal you consigned Sacred Reich back in the 80's/90's they still had their moments.  "Ignorance" & "Surf Nicaragura" did a great job of establishing the band, whereas "The American Way" just got a little to comfortable and accessible (the title track grates nowadays) for my ears.  A couple more records better left forgotten about and then nothing for twenty three years.  2019 alone has now seen three releases from Phil Rind and co.  A live EP, a split EP with Iron Reagan and now a full length.

      Notable addition to the ranks for the current throng of releases is former Machine Head sticksman, Dave McClean.  Love or hate Machine Head, McClean is a more than capable drummer and his presence here is felt from the off with the opening and title track kicking things off with some real gusto.  'Divide & Conquer' and 'Salvation' muddle along nicely, never quite reaching any quality that would make my balls tingle but comfortable enough.  The looming build to 'Manifest Reality' delivers a real punch when the song starts proper.  Frenzied riffs and drums with shots of lead work to hold the interest.


      There's a problem already though (I know, I am such a fucking mood hoover).  I don't like Phil's vocals.  I never had if I am being honest.  The aggression to them seems a little forced even when they are at their best on tracks like 'Manifest Reality'.  When he tries to sing it just feels weak though ('Salvation') and tracks lose real punch.  Give him a riffy number such as 'Killing Machine' and he is fine with the Reich engine (probably a poor choice of phrase) up in sixth gear.  For every thrashy riff there's a fair share of rock edged, local bar act rhythm aplenty too.

      Let's not poo-poo proceedings though, because overall I actually enjoy "Awakening".  It is stacked full of catchy riffs that are sticky on the old ears.  Whilst not as raw as perhaps the - brilliant - artwork suggests with its black and white, tattoo flash sheet style design it is enjoyable enough.  Yes, 'Death Valley' & 'Something to Believe' have no place here, saved only by Arnett and Radziwill's lead work but 'Revolution' is a fucking 80's thrash heyday throwback to the extent that if you turn the TV on during it you might catch a new episode of Cheers!

      3/5
      • Reputation Points

      • 10 replies
    • I
      • Reputation Points

      • 2 replies
    • https://www.metalforum.com/blogs/entry/52-vltimas-something-wicked-marches-in/
      • Reputation Points

      • 3 replies

    • https://www.metalforum.com/blogs/entry/48-candlemass-the-door-to-doom/
      • Reputation Points

      • 2 replies
    • Full length number 19 from overkill certainly makes a splash in the energy stakes, I mean there's some modern thrash bands that are a good two decades younger than Overkill who can only hope to achieve the levels of spunk that New Jersey's finest produce here.  That in itself is an achievement, for a band of Overkill's stature and reputation to be able to still sound relevant four decades into their career is no mean feat.  Even in the albums weaker moments it never gets redundant and the energy levels remain high.  There's a real sense of a band in a state of some renewed vigour, helped in no small part by the addition of Jason Bittner on drums.  The former Flotsam & Jetsam skinsman is nothing short of superb throughout "The Wings of War" and seems to have squeezed a little extra out of the rest of his peers.

      The album kicks of with a great build to opening track "Last Man Standing" and for the first 4 tracks of the album the Overkill crew stomp, bash and groove their way to a solid level of consistency.  The lead work is of particular note and Blitz sounds as sneery and scathing as ever.  The album is well produced and mixed too with all parts of the thrash machine audible as the five piece hammer away at your skull with the usual blend of chugging riffs and infectious anthems.  


      There are weak moments as mentioned but they are more a victim of how good the strong tracks are.  In it's own right "Distortion" is a solid enough - if not slightly varied a journey from the last offering - but it just doesn't stand up well against a "Bat Shit Crazy" or a "Head of a Pin".  As the album draws to a close you get the increasing impression that the last few tracks are rescued really by some great solos and stomping skin work which is a shame because trimming of a couple of tracks may have made this less obvious. 

      4/5
      • Reputation Points

      • 4 replies
×
×
  • Create New...